Today, we are witnessing a quite different life cycle, the significance of which is indisputable for the world history. In this period, when our freedom is unavoidably restricted with vital concerns, the work of art has been incontrovertibly loaded with symbols which make the artist\u2019s mood legible. Tuncay Topcu has an abstract understanding of painting, but we come across extremely evident, formal differences in his paintings, despite the absence of a story. Besides the use of more neutral colors, instead of FoV colors, in geometric color areas, the most evident formal difference is the presence of the black line becoming more evident, which is an active part of the artist\u2019s style, is the lifeblood of his paintings, moves around freely on the surface, and has a delicate and fragile nature. The line has gained an extremely intact and more effective form, which restricts the relationship of amorphous images shaped with a sort of matted colors with other colors-forms. It has \u201cgained\u201d the form since this situation may change at any time, and the line may turn back to its former fragile nature, whereas it also has an appearance that clearly reflects its feeling. It is also apparent as the most evident characteristic reflecting the restriction of freedom. The line has confined color by building a wall on the borders of these geometric areas. While the individualization of almost every geometric colorful form produced by the artist is witnessed, the form is reshaped as a reflection of the restriction in real life and the change in the artist\u2019s mood. Essentially, these paintings reflect the mood of not only our society but also the world in a universal sense.<\/p>\n
The appearing form is clearly the \u201cnew representation\u201d of the image in the artist\u2019s own world. As a result of the artist\u2019s expression, the unique \u201cnew figure,\u201d an individual way of expression, is born on the canvas surface as an amorphous image. Although these paintings, in which line assumes the constructive power, fit the world, the infinite universe, and its entire inner world into the abstract spaces comprised of these narrow geometric areas, this \u201camorphous image\u201d that carries an inner dynamism exists on the canvas surface as a symbol of the endless processual characteristic of Tuncay Topcu\u2019s painting.<\/p>\n","protected":false},"featured_media":1506,"template":"","sanatci":[175],"yillar":[173],"class_list":["post-1857","sergi","type-sergi","status-publish","has-post-thumbnail","hentry","sanatci-tuncay-topcu-en","yillar-2021-en"],"acf":[],"_links":{"self":[{"href":"https:\/\/galerimiz.com\/en\/wp-json\/wp\/v2\/sergi\/1857","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/galerimiz.com\/en\/wp-json\/wp\/v2\/sergi"}],"about":[{"href":"https:\/\/galerimiz.com\/en\/wp-json\/wp\/v2\/types\/sergi"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/galerimiz.com\/en\/wp-json\/wp\/v2\/media\/1506"}],"wp:attachment":[{"href":"https:\/\/galerimiz.com\/en\/wp-json\/wp\/v2\/media?parent=1857"}],"wp:term":[{"taxonomy":"sanatci","embeddable":true,"href":"https:\/\/galerimiz.com\/en\/wp-json\/wp\/v2\/sanatci?post=1857"},{"taxonomy":"yillar","embeddable":true,"href":"https:\/\/galerimiz.com\/en\/wp-json\/wp\/v2\/yillar?post=1857"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}